Reuben Gelley Newman
Orchid
for my grandfather Alex, borrowing from Walter Benjamin
Grief has become an orchid in the land of technology. I nourish grief as my grandmother waters the orchids of Mendel Court: green grief, orange inflorescence. Attach ritual to that photo of five-year-old you in Marseille, fleeing the regime; attach ritual to petal and poem. Let ritual rattle till it no longer knells, let ritual rattle till it rings like hope. I bend my ears to the orchid’s history, timbre of a Baroque recorder, pure tone—no, no. Everything’s muddled. The orchid’s mouth is also an ear, a furred chamber, resonance and echo. Grief curls its tendrils. I take a photo of grief and splice that photo into the poem. I cut clippings from the poem and foster shoots of love. I reproduce the simile; I reproduce the video of you playing flute, the video where you lecture on Benjamin. Your voice, cupped in the organ of the poem, cleft in the furrows of technology.
Reuben Gelley Newman is a writer, musician, and librarian based in New York City. His book Dear Dear, winner of the Louise Bogan Award, will be published by Trio House Press in July 2026. He also wrote a chapbook, Feedback Harmonies (Seven Kitchens Press, 2024), in homage to the musician Arthur Russell. His poems have appeared in Denver Quarterly, Fairy Tale Review, Ninth Letter, and elsewhere.